In the dimly lit corridors of Hotel Villa 9 de Octubre, a chill hangs in the air like the whisper of an unwelcome guest, as disembodied voices echo from the shadows, leaving behind a trail of icy dread that crawls up the spine. Guests, lured by the promise of history, often find themselves ensnared in an otherworldly silence, only to be jolted from their reverie by the bone-deep cold that seeps through the walls, a reminder that the past is never truly buried. Those who wander these haunted halls at night may discover, too late, that some echoes are not meant to be forgotten, and not all who check in ever truly check out.

Hotel El Salado looms at the edge of Banos, its cracked facade whispering secrets of a turbulent past, where the echoes of long-gone patrons intertwine with the murmur of restless spirits. Within its dimly lit corridors, guests report hearing disembodied laughter that flits like a moth in the dark, while in the shadows, objects dare to dance-unbidden, inexplicable, unsettling. Those who dare to stay are warned: the walls remember, and the voices of the forgotten may beckon you into their embrace, whether you wish to join them or not.

Hotel San Francisco loomed over Otavalo like a forgotten specter, its peeling paint whispering secrets of the past as shadows danced in the flickering lights that never seemed to warm the cold, stale air. Doors creaked open and shut, a dissonant lullaby that beckoned the unwary, while unseen hands brushed against the flesh of those brave enough to stay the night, leaving them to wonder who-or what-might be lurking just beyond the veil of their consciousness. Guests swore they felt eyes watching from the corners of their dimly lit rooms, an unsettling reminder that in this place, the living were not alone; they were merely the latest residents in a hotel where history had never truly let go.

Hotel La Fontana loomed in the humid shadows of Guayaquil, its once-vibrant dining area now a gallery of flickering candlelight and ghostly whispers, where the laughter of unseen children would ripple through the air, chilling the spine of any who dared to linger. Those who sipped their meals under the dim chandeliers often caught fleeting glimpses of spectral figures, their hollow eyes reflecting a joyless past, as if they were still feasting on moments long since devoured by time. Yet, it was the disquieting sense of being continually watched that left guests trembling, for behind every echo of laughter lingered the nauseating realization that they were not alone, not by a long shot.

Hotel El Indio loomed at the edge of Otavalo like a forgotten relic, its weathered stone walls echoing with the whispers of ancestral voices, their mournful cries intertwining with the haunting strains of distant panpipes that seemed to seep from the very bowels of the earth. Guests often stumbled upon shadowy figures clad in tattered woven garments, their vacant eyes locking onto souls as if to beckon them to join the endless dance of the dead; those who lingered too long found themselves trapped in a twilight realm, where time twisted and the air thickened with a sense of impending doom. Leaving the hotel was not always a choice, for sometimes, it was the hotel that decided who would remain.

At Hotel La Posada del Arte, the air hangs thick with the whispers of the past, a spectral symphony of piano notes drifting from empty rooms, as if the hotel itself mourns its forgotten history. Guests have stumbled upon shadowy figures in Victorian garb, their hollow eyes gleaming with secrets, while an uninvited chill slithers through the corridors, gnawing at sanity like a ghostly caress. Those who dare to linger claim that the music plays on, a haunting serenade that wraps around their souls, warning them that in this place, the living and the dead are merely threads in a tapestry of despair.

La Casa Verde loomed in the heavy mist of Banos, its peeling green paint whispering secrets to the wind, where shadows danced in every flickering light and cold spots gnawed at the skin like icy fingers tracing the walls. Guests spoke in hushed tones of spectral figures drifting through the narrow halls, their sorrowful eyes glinting with stories of the past, while unseen presences wrapped around them like a shroud, leaving only the echo of a breath behind. It wasn't just the legends that lingered, but an insidious awareness that something watched, waiting for the right moment to slip into the waking world once more.

The air in Hostal La Posada hangs heavy with the laughter of voices long past, echoes ricocheting off the faded walls like trapped souls seeking release in the night. Guests often find themselves waking to the sensation of fleeting shadows dancing just beyond their periphery, whispers slithering through cracked windows as if the very building remembers too much. As dawn creeps in, they discover they are not the first to share these haunted halls; the reflection of their own fear runs deeper than the dim flicker of the gas lamps, leaving behind a chill that promises they may never truly leave.

At Hotel Sol y Mar, the echoes of early explorers linger in the salted air, their ambitions swallowed by the dense shadows that creep along the dimly lit hallways. Guests often find themselves under the unsettling gaze of unseen eyes, as flickering lights cast fleeting shadows that dance in grotesque mockery of the living. Whispers of long-gone settlers seep through the walls, leaving a chilling imprint of restlessness, and those who dare to sleep often wake to the soft sound of laughter-though no one else is ever there.

In the shadowy recesses of Hotel Boutique Vista del Angel, where the whispers of Quitos past intertwine with the spectral remnants of sorrow, mirrors glint like darkened portals, occasionally reflecting not the living but the long-forgotten souls who linger still. Guests have reported a peculiar heaviness in the air, as if unseen eyes are watching, their breath chilled by the intangible energy that hums through the historic walls, drawing them into a dance with phantoms who smile just behind their reflections. Those who dare to gaze too long might find that the figures lurking in the glass are all too eager to step out of the past-into their present.