Nestled in the sun-bleached ruins of Faliraki, Hotel Esperos Village looms like a specter of forgotten revelries, its corridors whispering secrets of the long-dead who once roamed its halls. As the sun dips below the horizon, shadows stretch and flicker; lights sputter like a dying heart while doors creak open with a soft, inviting sigh, revealing nothing but a stifling darkness that seems to breathe. Guests speak in hushed tones of the shadowy figures that glide through the hallways, a grotesque reminder that not all who enter leave with their sanity intact.

In the heart of Thessaloniki, Hotel Anatolia stands like a weary sentinel from the 1970s, its once-grand facade now draped in shadows and whispered secrets. Guests speak of flickering lights that dance as if mocking the living, doors creaking open and shut on their own, as if welcoming unseen visitors from the past, their chilly breath lingering long after the sound has faded. Yet, those who linger too long in the hotel's oppressive embrace often leave haunted by a presence that watches from the corners, unseen but unsettling, as if the very walls themselves bear witness to the horrors that time cannot erase.

At The Bristol Hotel in Thessaloniki, shadows flicker in the corners of the 19th-century hallways, whispering the secrets of a past steeped in loss, where a ghostly woman in white drifts like a shroud of sorrow, her presence felt in the stir of a breath against the back of the neck. Guests, drawn by the allure of faded elegance, find themselves gripped by an unseen weight in their rooms, the oppressive air thickening with the resonance of desperate sighs, as though the walls themselves mourn the memories they cannot forget. In the still of the night, when the creak of the old floorboards becomes a symphony of dread, they discover that some spirits never leave, and for some,